Systematism as an artistic phenomenon that demonstrates its connections with the traditions of the Russian Avant-garde. He accepts the legacy of Malevich, who denied the hierarchy of the relationship between form and color and proclaimed "the painted plane" as "the most elementary form of expression of pure color, freed from the pressure of objects" and at the same time believed that in the boundlessness of space, geometric planes of laconic shapes and colors "are better suited as an initial style module for general and specific shaping processes." Significant in the statement of the connection between Systematism and the search for Russian Avant-garde artists of the beginning of the last century is the choice of a white background as a symbol of infinite space. Andrey Vereshchagin chooses laconic color solutions against a background of vibrating textured white or conventionally white- gold or silver canvas. Moreover, the texture of the canvas is brought to a bas-relief, creating lines of energy flows, vibrations designed to harmonize the space and the viewer. The mathematical nature of the constructions, the combination of basic geometric forms with space connects the search for Systematism with the heritage of the Avant-Garde. But, in his philosophical essence, the avant-garde artist destroyed all the old ties, the basic artistic norms of the old world, in contrast to him, the artist of Systematism proclaims a new method of harmonizing society through the application of the principles of the triad. Remaining undoubtedly his heir, conceptually Systematism invests new meanings in the artistic forms developed by the Russian Avant-garde.